Bon Appetit, Your Majesty

Review

My rating is 8/10

Bon Appétit, Your Majesty is an entertaining and amusing historical drama with a fresh twist, blending time travel, palace intrigue, and a heavy dose of culinary flair. The 12-episode series kept me engaged throughout with its lighthearted take on familiar tropes, offering comedic elements that set it apart from typical historical dramas. The romance between Han Yu-ri (Kim Seo-ha) and King Lee Chan (Lee Je-hoon) isn’t particularly sizzling, especially in the early episodes, but it builds to a satisfyingly sweet conclusion. The show leans heavily into cooking, particularly in the first half, making it a delight for fans of period dramas, time-travel narratives, and cooking shows. While it’s not a series I’d rewatch endlessly, it was a fun one-time watch that I’d recommend to those who enjoy period settings with a quirky, culinary spin.

Spoilers

The show requires a bit of a stage-play mindset, as some plot points stretch historical plausibility. Han Yu-ri’s (Kim Seo-ha) brazen, disrespectful speech toward King Lee Chan (Lee Je-hoon) and other royals would’ve been unthinkable in a real palace setting—other royals would’ve never tolerated it, even if Lee Chan himself was unbothered. Yet, she faces no serious consequences, which feels unrealistic. Lee Chan’s early brutality, like imprisoning Yu-ri in stocks, makes it hard to buy her quick forgiveness and budding feelings for him. His initial unlikability is intentional and well-executed, but with only 12 episodes, the turnaround to a believable romance feels rushed and less compelling.

The show leans heavily into the “magic” of Yu-ri’s cooking, which borders on fantastical—her food convinces reluctant eaters and nearly heals the crown prince, which feels exaggerated even for a comedic drama. The cooking competition, while a fun centerpiece, is blatantly forced but works if you embrace the show’s playful tone. Yu-ri’s character, while a talented cook, comes off as foolish in other areas, especially her ignorance of royal etiquette despite being in a palace. Her lack of shock at time-traveling to the past is odd, and her obsession with finding a book to return to the future feels illogical—she has no evidence it’s a two-way trip or that she could bring others, yet she clings to this idea. And not in a just “this is my only chance” type mindset but it seems she thoroughly believes it to the extent she acts as if she can just bring others along.

The ending has highs and lows. The climactic fight where Lee Chan battles his uncle is tense, but Yu-ri’s inaction—standing there fixated on the book while he’s fighting for his life—feels frustrating, though she redeems herself by throwing herself in front of a sword. Lee Chan’s arrival in the future is a sweet touch, but the show glosses over how it happens, leaving it to a vague “missing page” in the book. My daughter, who watches dramas with me, felt the writers deliberately trolled us by raising the question of how he time-traveled and then dismissing it without explanation. It’s also disappointing that history still records Lee Chan as a tyrant who mysteriously disappeared. While he did harsh things early on—understandable given constant assassination attempts—his later redemption makes the tyrant label feel unfair, and I wished the show had shown history altered to reflect his growth. He could have willingly stepped down after restoring his name.

The reincarnation of past characters as identical modern counterparts is another unanswered question, adding to the silliness. How did that happen? Other reincarnation tropes always have them with the same “soul” but their bodies typically look different.

The 12-episode length suits the story’s light, whimsical nature, but it limits the depth of Yu-ri and Lee Chan’s romance. While sweet by the end, their connection doesn’t feel like they’re utterly devoted, making it less emotionally gripping. Still, for what it is—a quirky, cooking-centric time-travel romp—it’s enjoyable, if not a masterpiece.

A huge round of applause from me that Netlix, for once, did not throw a bunch of “woke” elements in this time. Maybe a tiny bit with her “I am woman hear me roar” sassiness in the beginning but it wasn’t overt like they do a lot of times when they throw in something that is either inaccurate for the historical frame or just doesn’t fit the plot. At least they didn’t do that this time.

Synopsis

Year: 2025

Number of Episodes: 12

Runtime: Approximately 1 hour per episode

In this delectable fusion of time-travel fantasy and historical romance, Bon Appétit, Your Majesty transports the ambitious modern chef Yeon Ji-yeong (Im Yoon-ah) from the cutthroat kitchens of contemporary Seoul to the opulent yet treacherous Joseon palace during a tyrannical king's reign. Thrust into the role of royal cook after a solar eclipse mishap, Ji-yeong must blend her French culinary flair with Joseon staples to appease the volatile King Yi Heon (Lee Chae-min), whose discerning palate could mean life or death. As forbidden sparks ignite amid palace conspiracies and jealous rivals, Ji-yeong's innovative dishes not only tempt the king's heart but also unravel the mysteries of his tormented past, forcing her to choose between rewriting history and savoring a love that defies eras.

Major Characters

• Yeon Ji-yeong (Im Yoon-ah): A fiercely talented French-trained chef from the present day who time-slips into Joseon and becomes the king's personal cook, using her modern recipes to survive court dangers and spark an unlikely romance.

• King Yi Heon (Lee Chae-min): The brooding, tyrannical Joseon ruler infamous for his explosive temper and exquisite taste buds, whose icy facade softens through Ji-yeong's flavorful innovations, revealing a vulnerable soul haunted by betrayal.

• Kang Mok-ju (Kang Han-na): A scheming and envious palace consort driven by ambition, who views Ji-yeong's arrival as a threat to her status and orchestrates plots to undermine the new royal chef.

• Prince Je Seon (Choi Gwi-hwa): The king's cunning and power-hungry uncle, a key antagonist who manipulates court politics and family loyalties to challenge Yi Heon's throne.

• Queen Dowager (Seo Yi-sook): The formidable and tradition-bound mother of the king, who wields subtle influence over palace affairs and scrutinizes Ji-yeong's "foreign" ways with a mix of suspicion and reluctant admiration.

• Seo Gil-geum (Yoon Seo-ah): A kind-hearted palace maid who forms a fast friendship with Ji-yeong, providing loyal support and insider knowledge to help her navigate the treacherous royal household.